For this reason, a trek of just 15 minutes makes it feel we haven’t left the neighborhood at all, so we absorb whatever wonders we may stumble across as a borrowed extension of home. Take, for example, Chicago Hot Glass: a truly bad-ass art studio in an old

But this lack of spatial ‘governance’ sort of fits the glass-blowers, who seem pretty rootless and free-riding themselves. The studio has become a second home, where they make art and throw parties and generally and productively occupy space. Recently they added a metal-works initiative, which may be about the most punk rock thing I’ve ever actually seen in person (apologies to Nonagon, of course).

From the neighborhood . . . This was clearly a guy after my own heart. Because there’s something about that whole idea—neighborhood—that’s familial and empathic in ways sometimes even bloodlines fail to be. It unites people who may have literally nothing in common besides the street they live on. In obsessives like myself, it’s a living, breathing organism: a thing unto itself, much prettier and grander than the sum of its parts. And for those who hold it dear, it’s positively kindred. For that split second, Marshall was our friend. He had our backs and we had his. We trusted each other, as we trusted the circumstances that had brought us together on exactly that same patch of concrete at exactly that moment, to talk about metal. In our own quiet ways, we wanted more.
So it was no surprise when he told us they’d be pouring some bronze later and invited us to come by if we were around. Almost tragically, we already had plans. But it’s not a huge stretch to think there might be a next time.